Take a bigger bite from "Delicatessen"
Thursday, July 19, 2012
Last evening, CineVerse unwrapped a sumptuous main course: "Delicatessen," a quirky film that defies categorization. For those who wish to better understand the ingredients that make this film so unique and enjoyable, here's a rundown of our discussion talking points:
HOW DOES "DELICATESSEN" DEFY YOUR EXPECTATIONS AND SURPRISE YOU AS A VIEWER?
- When cannibalism is introduced as a subplot/theme, you perhaps expect the movie to delve into dark horror conventions and be more gory and graphic, but it isn't: the film can be very lighthearted and sweet at times
- It's a distinctive study in contrasts, blending romance with horror, laughs with suspense
- It relies more on clever sound design than a proper traditional musical score
- It employs an oversaturated color scheme of earth tones like brown, yellow, green and orange for a unique atmosphere and look
- While the compositions, colors and overall visuals of the movie capture our attention, this is a movie that relies on strong, interesting characters to capture our imaginations
- Tonally, it feels very postmodern, despite its 1950s setting, as if it often attempts to be "weird" for the sake of being weird
- It's hard to classify this film within any specific genre: it works as a comedy, drama, fantasy, horror film, science-fiction movie, and romance
- Arguably, it benefits from interesting characters, an intriguing setup and escape plot, and bravura editing and sound design
- It could be criticized for being too disparate in tone and mood, for being "too quirky" and eclectic, and for possibly lacking a predominant theme or "moral to the story."
- The dystopian, oddly fantastical movies of Terry Gilliam, such as "Brazil" and "Time Bandits"
- The cruel humor of Grimm's fairy tales
- Sweeney Todd and the Danish comedy The Green Butcher (both stories of cannibalism)
- The successful silent comedy and slapstick formula evidenced in films by Laurel and Hardy and Buster Keaton
- The films of Alfred Hitchcock, also known for their wry black comedy leanings and dark themes without relying on blood or gore
- Mission Impossible
- The works of surrealist masters like Luis Buneul and Salvador Dali, as well as filmmakers Marcel Carne and Jacques Prevert, all of whom the directors of "Delicatessen" cited as influences
- The cartoonist and inventor Rube Goldberg
- The City of Lost Children
- Alien: Resurrection (Jeunet)
- Amelie (Jeunet)
- A Very Long Engagement (Jeunet)