Unexpected noir from afar

Directed and written by Kaneto Shindō, Onibaba (1964) is set in 14^th century feudal Japan during a time of civil war. The film follows the harrowing lives of two unnamed women — an older female (Nobuko Otowa) and her daughter-in-law (Jitsuko Yoshimura) — who survive by murdering passing samurai and foot soldiers and selling their belongings to Ushi, a black market trader. Their precarious existence is disrupted when a neighbor, Hachi (Kei Satō), returns from the war and forms a lustful relationship with the younger woman, creating swelling tension and, in her mother-in-law, overpowering jealousy. 

Yet, despite being a masterful blend of folk horror, psychological thriller, and Jidaigeki period drama, Onibaba cannot escape the long shadow of classic film noir. But is it a noir or not?  That's the question I attempt to answer in a Noir City magazine article that recently published, available here.

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